The Toronto International Film Festival was able to screen the documentary “Russians at War” after initially delaying its premiere due to safety concerns. The film, directed by Russian-Canadian Anastasia Trofimova, generated significant opposition and led to unprecedented threats against festival staff.
Cameron Bailey, CEO of TIFF, said festival staff received “hundreds of instances of verbal abuse” and threats of violence, including sexual assault. These threats and plans to disrupt screenings prompted TIFF to delay the film’s originally scheduled showings.
Bailey spoke to attendees before the rescheduled screening at TIFF’s Lightbox theater. He said staff members were “understandably frightened” by the threats. Moving the screening to a more secure venue highlighted the seriousness of safety issues.
The France-Canada co-production documentary has sparked heated debate in Canada. Deputy Prime Minister Chrystia Freeland criticized the film without seeing it first, stating public money should not support such a film. Her comments led to protests by Ukrainian Canadians and the Canadian broadcaster TVO withdrawing its support.
However, major Canadian newspapers who have viewed the film portrayed a different message. Publications like the Toronto Star, The Globe and Mail, and the National Post praised “Russians at War” as a powerful anti-war film that depicts Russian soldiers as confused and demoralized. The Globe and Mail called it a “brave and exceptional documentary” that “shows, unvarnished, the horrors of the war.”
Bailey defended TIFF’s decision to screen the film, emphasizing the importance of independent media and artistic merit. “Surrendering to pressure from some members of the public – or from the government – when it comes to presenting any cultural product, can become a corrosive force,” he stated.
The controversy over “Russians at War” raises questions about artistic freedom, public safety, and cultural institutions presenting challenging content. As the film seeks broader distribution, the debate it sparked will likely continue and highlights tensions between art, politics and public opinion during ongoing global conflicts.
