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Darren Criss Sets November 5 Return To Maybe Happy Ending On Broadway

The Tony winning lead comes back November 5 after Andrew Barth Feldman’s limited stint as performances continue at the Belasco Theatre.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
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Darren Criss will return to the Tony-winning musical Maybe Happy Ending this autumn, resuming the role of Oliver after a planned nine-week leave that begins at the end of August. The production announced at its August 20 matinee that Criss will be back on Broadway from November 5 at the Belasco Theatre, following a limited engagement by Andrew Barth Feldman, who steps in beginning September 2.

Criss’s temporary exit had sparked intense attention because Feldman’s casting drew criticism from some Asian American performers and advocacy groups who argued that replacing the show’s original star in a musical set in Korea with a non-AANHPI actor sends the wrong signal at a time when representation remains a pressing concern. In response, the writers have said the helper-bot characters were conceived as globally manufactured machines rather than specifically Korean figures, seeking to frame the debate around the show’s sci-fi premise rather than ethnicity.

The return keeps intact the performance most closely associated with the Broadway run, which opened in November 2024 and went on to win six Tony Awards this year, including Best Musical and Best Leading Actor in a Musical for Criss, who is also credited as a producer. The creative team is led by director Michael Arden with design by Dane Laffrey, and the current company includes Helen J Shen among the principal cast.

Producers have not indicated how long Criss will remain with the show after November, but the timeline clarifies the handoff and return that had fueled speculation among fans and ticket buyers through the summer. Performances continue at the Belasco, with the schedule unchanged during the interim run. The production’s announcement suggests the goal is continuity: a planned respite for its leading actor, a defined window for Feldman’s engagement, and a timely restoration of the original headliner ahead of the holiday corridor when attendance historically strengthens on Broadway.

Tags: Darren CrissMaybe Happy Ending
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