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Avatar: Fire and Ash

Jim Carrey Says Grinch Makeup Nearly Drove Him Off the Film

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Disney Reportedly Plans Four ‘Avengers: Doomsday’ Teasers Rotating With ‘Avatar: Fire and Ash’

The reported plan would swap “Avengers: Doomsday” teaser versions weekly during the first month of “Avatar: Fire and Ash” screenings.

Naser Nahandian by Naser Nahandian
7 months ago
in Entertainment, Entertainment News, Movies
Reading Time: 2 mins read
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Disney is testing an unusually segmented trailer rollout for Marvel’s “Avengers: Doomsday,” with theaters said to receive four different teaser cuts that rotate weekly in front of “Avatar: Fire and Ash,” a tactic aimed at nudging avid Marvel fans to buy multiple tickets for James Cameron’s sequel. The plan, first described by The Hollywood Reporter, has circulated widely online in recent days, while Disney has yet to publicly confirm the strategy or detail how broadly it will be deployed.

Under the reported setup, each version of the “Doomsday” teaser would play for a single week during the first month of “Fire and Ash” screenings, then swap out for the next. Supporters frame it as a throwback to the era when theaters served as the primary gateway to new footage; skeptics call it a transparent attempt to turn a trailer into a collectible.

One potential clue about what fans will actually see came from South Korea’s ratings system, which listed a teaser running 1 minute and 25 seconds. The listing does not verify the four-cut strategy on its own, but it aligns with the idea of a short, tightly controlled first look arriving far ahead of release.

Marvel’s official materials place “Avengers: Doomsday” in theaters on Dec. 18, 2026, with Joe and Anthony Russo directing and Robert Downey Jr. headlining the cast list released so far. “Avatar: Fire and Ash” opens exclusively in theaters on Dec. 19, 2025, extending the franchise Disney distributes through 20th Century Studios.

The trailer tactic lands during a period when exhibitors have pressed studios to protect the theatrical experience with longer exclusive windows, arguing that consumer attention splinters once home viewing feels imminent. Cinema United CEO Michael O’Leary told Reuters that shorter windows reduce theatergoing early in a release, a concern studios increasingly try to answer with premium formats, eventized marketing and, now, exclusive footage campaigns.

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