Writer and director John Rosman’s 2022 thriller New Life wastes no time grabbing your attention. We meet Jessica, fleeing through the streets in a panic with blood on her face. Something has clearly gone very wrong, but what? Then there’s Elsa, an enigmatic agent assigned with the task of tracking Jessica down. Both women are enduring personal struggles unknown to the other.
Jessica, played earnestly by Hayley Erin, just wants to get as far away as possible. Her past is shrouded in mystery, though flashbacks offer a glimpse of happier times with her partner Ian. Pursuing her is Sonya Walger’s striking Elsa. A hint is dropped that her body is betraying her, yet she pushes forward driven to solve this case.
Rosman teases out the mystery in these opening scenes, doling out just enough information to captivate but not satisfy. Who exactly are these women and why are they on a collision course? Little did we know the depths this simple set-up would take us and the deft way Rosman combines genres to craft an unpredictably thrilling ride. Through nuanced performances and a skillful blending of drama, thriller and horror beats, he’s crafted an character-driven experience that constantly keeps you guessing.
The Pursuit and Those Pursued
We begin with Jessica running through the night, blood on her face and eyes wide with terror. Something terrible has clearly happened, though just what remains unclear for now. All we know is that she is desperate to flee, clutching a wedding ring as if clinging to what remains of her past life.
Her pursuer, Elsa, is introduced taking medication as tremors wrack her hands—the onset of ALS gradually stripping away her control. Though on opposite sides of this chase, both women face threats to their autonomy and futures beyond their understanding or willingness.
Jessica travels north by foot, seeking protection at the homes of kind strangers but unable to explain her plight. Though mysterious, her vulnerability and fear ignite sympathy in those who help her. She builds fleeting connections even as secrets shroud her past.
Pursuing her is Elsa, relying on technology but her body steadily betraying her resolute will. Though colleagues see a dedicated agent, we see a woman battling her diagnosis in solitude, grasping for purpose and normality. Two independent women, now dependent on finding resolution before facing denial of self.
It is the nuanced, internal performances of Hayley Erin and Sonya Walger that imbue these characters with such emotionally resonant layers. Through gesture and expression alone, they convey complex feelings left unspoken. Erin plays Jessica with tentative tenderness, her desperate attempts at human contact compelling our protection.
Walger captivates as a woman fighting to maintain control even as her body rebels, ferocity masking private fears. Theirs is a drama of desperation, each grasping for authentic choice before circumstances strip it away. Their paralleled plights paradoxically entwine two strangers in a fateful final confrontation.
The Art of Suspense
Director John Rosman takes his time setting the scene in New Life, doling out crucial details sparingly in the early going. This approach could have backfired, but Rosman knows exactly how to sustain intrigue through mystery. He sees value in allowing the story to unfold at its own absorption pace through short, deliberate character vignettes.
We first meet Jessica in a panic, blood on her face and people in suits giving chase. In the following moments catching up with Elsa, her assignment is to hunt Jessica down but the reasons why remain shrouded. Rosman wants viewers thinking, picking up subtle clues in gestures and surroundings rather than plainly revealing the full narrative. This tug-of-war keeps us constantly wondering, leaning in to catch anything that might bring resolution.
The patience required respects viewers enough to join in piecing matters together. It also deepens our investment in Jess and Elsa as people, independent of the mysterious forces swirling around them. We watch Jess trekking country roads, Elsa coordinating her team, both coping with private demons unknown to the other. Slowly, a picture forms of their resilient spirits in a harsh world.
All the while tension mounts from not knowing the whole story. When revelations kick the film into a higher gear, that tension explodes into full-blown suspense. Rosman’s tight 80-minute runtime retains momentum while keeping character the priority. Despite genre twists, it remains Jess and Elsa’s troubled fates that grip us until the last frame. Through restraint woven with suggestion, New Life shows how mystery can enhance relationships at the story’s heart.
Genre-Bending Thrills in Rosman’s Debut
John Rosman’s New Life starts out playing things close to the chest, slowly introducing the central characters of Jessica and Elsa without fully clarifying what stakes either are running from or chasing. This approach builds intrigue around the small rural towns and encounters our protagonists have along the way.
Much of the first half focuses on subtle details through Walger and Erin’s nuanced performances, letting us see the hidden struggles beneath the surface. Just when viewer patience may start waning, Rosman fully disrupts expectations with a shocking turn into visceral horror. This pivot from patient character study to pulse-pounding scares gives New Life new urgency.
Looking back, we gain understanding of earlier interactions in a more unsettling light. Moments that seemed innocuous before take on darker connotations, as do flashbacks offering clues to each woman’s backstory. Such recontextualization packs an emotional wallop and ties their fates together more tightly than either could have anticipated.
Once the film plunges into gruesome practical effects and grisly slayings, there is no looking back. Intensity ratchets up as our heroines go head to head, the terror heightened by their growing desperation. Through it all, Rosman maintains control of an increasingly unhinged narrative. While some threads remain frustratingly loose, his deft balancing of genres results in a viewing experience that is nothing short of a rollercoaster ride.
By withholding full context and peeling back layers at a measured pace, Rosman lets New Life stealthily work its way under the skin. Those braced for thrills receive them tenfold thanks to this ingenious structure, which proves the film is as clever as it is chilling.
Facing Fragility
What truly makes us human? New Life explores our common search for meaning when confronted with life’s fragility.
The film centers around two women whose lives have been upended. Jessica is desperately running from unknown forces, while Elsa chases her down even as her own body begins to fail. Their intertwining stories offer insight into how people grapple with adversity and mortality in different ways.
Though separated by necessity of the chase, both women show resilience of the human spirit. Faced with difficulties outside their control, they continue fighting for what little remains of their freedom. Jessica finds fleeting connections along her journey, accepting help from kind souls she chances upon. Meanwhile, Elsa battles to prove her abilities aren’t defined by illness, clinging to her old life’s purpose however it may change.
Their pursuit also highlights our shared hopes. Simple acts of goodwill remind us of life’s beauty despite its fragility. The elderly couple who aid Jessica represent longstanding love that withstands time. And Elsa’s brief conversations hint at her desire for companionship, even in isolating work.
Subtly too, New Life captures society’s unease. Its ominous portrayal of invasive surveillance technology underscores modern reliance on — and vulnerability to — a digitized world. A somber song by Dylan reinforces this theme, its lyrics echoing how sudden forces rearrange lives in “rolling stone” fashion.
Throughout it all runs the thread of our indefatigable spirit, as complex characters cope with life-altering crisis. New Life juxtaposes mortal instability with humanity’s resilience, finding meaning where it can in a world of uncertainty. Its meditative nature leaves us thinking on life’s fragility — and our shared will to carry on facing it together.
A Confident Debut
While New Life contains a few stretches of languid middle section that slow the momentum somewhat, John Rosman possesses an impressive ability to maintain tension and urgency throughout this thriller. Within the tight 80-minute runtime, he wastes little time peeling back layers of mystery shrouding the central characters. Rosman establishes a visceral cat-and-mouse atmosphere from the opening frames.
It’s true the conclusion doesn’t provide as clean a resolution as viewers may hope. Yet one gets the sense this was a risky genre-blending experiment undertaken with passionate intent rather than commercial calculation. Rosman stages an emotionally gutting horror turn that elevates the stakes to nail-biting heights. The film leaves a strong overall impression as a daring and feeling-filled directorial debut.
One mark of a film’s success is the debate and examination it continues provoking after final credits roll. New Life invites repeat viewings to catch foreshadowing and subtleties potentially missed on first watch. While some plot threads remain frustratingly loose, the empathetic character journeys and thoughtful themes burrow deep.
Rosman demonstrates flair for marrying character-driven drama with pulse-quickening suspense. Audiences will watch with excitement to see how his vision evolves from this impressive starting point. With innovative stylists like Rosman in the field, unlimited potential exists for the hybrid genre to continue deepening and surprising us.
New Dimensions: John Rosman’s Promising Directorial Debut
Don’t underestimate the slender New Life – this taut thriller packs a powerful emotional punch. Through lean yet vivid storytelling, John Rosman introduces us to Jessica and Elsa, two women confronting difficult realities in very different yet deeply relatable ways. They draw us in from the start through nuanced performances that bring their plights to vivid life.
Initially unfolding as a taut cat-and-mouse chase flick, it soon takes a shocking left turn into darker territory. But Rosman handles these genre shifts seamlessly, finding meaning in unexpected places and elevating the material far beyond expectations. There’s gritty suspense along the way too, with a truly heart-pounding finale that brings everything to a head in devastating fashion.
While the secrets are slowly peeled back, Rosman keeps you guessing until the very end. Go in knowing as little as possible to experience the full rollercoaster ride of surprises and twists. Appreciate also the deeper themes of perseverance in the face of adversity and life’s fragile uncertainties.
For fans of thrillers with soul, New Life is a must. But it appeals far beyond any single genre, weaving profound emotions into a tightly-plotted narrative. Rosman proves himself a talented storyteller willing to experiment and find meaning in unexpected ways. This impressive debut suggests he’s an emerging talent well worth keeping an eye on. New Life opens doors to new cinematic dimensions – don’t miss your chance to venture through.
The Review
New Life
8Score
New Life is an assured and deeply affecting debut that will leave you pondering its revelations long after. Though modest in scope, Rosman wields genre with nuance, tapping profound wells of empathy. Backed by tremendous performances, its unpredictable blend of thrills and soul-baring emotion anchors bigger ideas that linger. For fans of character-driven works with teeth, New Life packs a punch well above its weight.
PROS
Strong lead performances that bring great depth to their complex characters
Tight and unpredictable plot that steadily builds intrigue
Exploration of meaningful themes like humanity in adversity
Effective genre blending and shock twists keep you on edge
Skilled direction that elevates material through emotional resonance
CONS
Plot mechanics in the third act feel a bit contrived
Some may find the pace a touch slow in the middle
Limited production values for such an ambitious concept
Opens up many ideas but doesn’t deeply explore conspiracy
Ending doesn’t provide completely satisfying closure
