“Queen of the Ring” is a powerful biographical film that tells the incredible story of Mildred “Millie” Burke, a trailblazing wrestler who broke glass ceilings long before it became a cultural catchphrase. The film, directed by Ash Avildsen and based on Jeff Leen’s book, tells the incredible story of a woman who converted wrestling from a male-dominated spectacle to a platform for female athletic prowess.
The film, set in 1930s and 1940s America, depicts Burke’s transformation from a struggling single mother working in a Kansas cafe to the first million-dollar female athlete in history. Her story is nothing short of revolutionary, coming at a time when women’s wrestling was neglected and frequently illegal throughout most of the United States.
Emily Bett Rickards has a standout performance, embodying Burke’s ferocious determination and complex personal life. The film does more than just praise athletic achievement; it also portrays a complex portrayal of a woman dealing with significant personal and professional hurdles. Burke’s narrative is a monument to persistence, ambition, and the power of defying cultural expectations, from wrestling men at carnivals to developing a roster of revolutionary female wrestlers.
“Queen of the Ring” combines aspects of a sports drama with the personal storytelling of a character study, inviting fans to witness a watershed moment in sports history—when one woman’s courage began to transform a whole industry.
Wrestling Dreams: Millie Burke’s Unconventional Path
The world of 1930s America was cruel to women with large dreams, particularly those who did not fit neatly into cultural boxes. For Millie Burke, this meant transforming her powerful physique and unwavering personality from potential liabilities to her greatest asset. Trapped in a Kansas diner, working as a server and raising her son as a single mother, she saw professional wrestling as her ticket to a new life.
Enter Billy Wolfe, a charming wrestling promoter who initially viewed Millie skeptically. When she challenged one of his male wrestlers and won, everything changed. Wolfe noticed not just her athletic abilities but also a marketable determination that could transform the sport. Their relationship rapidly grew complicated—professional cooperation combined with personal affection, then gradually collapsing due to deception and competitive ambition.
The narrative follows Burke’s astonishing transformation from carnival wrestling circuits to becoming a bonafide sports hero. She didn’t just compete; she changed what female athletes might accomplish. Her wrestling team evolved into a mosaic of varied women, including historic performances such as Babs Wingo, the first Black woman wrestler in American history, all of whom challenged established assumptions.
Personal drama is connected with professional achievement. Burke’s relationship with Billy Wolfe became increasingly chaotic, characterized by his infidelity and her rebellious romantic involvement with his son, G. Bill. Her adolescent son Joe observed this turbulent world, split between interest and anxiety for the family’s unique enterprise.
Through intense wrestling sequences and emotionally charged personal moments, the film depicts a woman literally and metaphorically fighting against a system created to keep her back. Millie Burke wasn’t just competing in the ring; she was breaking down barriers one bout at a time.
Titans of the Ring: Performances that Punch Through
Emily Bett Rickards transforms Millie Burke, a struggling single mother, into a wrestling phenomenon with astonishing nuance. Her performance is a masterclass in combining raw physical prowess and intense emotional sensitivity. Rickards doesn’t just play Burke; she becomes her, expressing the fighter’s strong drive and underlying vulnerability. Whether wrestling in carnival rings or negotiating complex personal relationships, she exudes compelling authenticity, making Burke’s journey viscerally real.
Josh Lucas performs as fascinating as Billy Wolfe, capturing the promoter’s seductive manipulation with amazing depth. He’s not a straightforward villain but rather a complex figure who abuses and empowers the women wrestlers. His relationship with Millie evolves into a captivating ballet of professional ambition and personal betrayal, alternating between genuine connection and calculated self-interest.
The supporting cast elevates what could have been a simple biopic to a complex ensemble drama. Tyler Posey plays G. Bill, Burke’s boyfriend, and Wolfe’s son, with subtle depth, while Cara Buono’s portrayal of Bertha provides a grounded maternal perspective that confronts and supports her daughter’s unusual dreams.
Mae Young, played by Francesca Eastwood, steals the show with her combination of hilarious timing and intense wrestling force. Kailey Farmer’s June Byers is another interesting wrestler who adds depth to Burke’s competitive world. Female wrestlers are more than background characters; they are fully realized individuals battling their fights inside and beyond the ring.
What elevates the performances is their combined commitment to depicting these women as multifaceted human beings—not just athletes—who challenge societal limits with each move, match, and defiant moment of self-determination.
Crafting Legends: Storytelling Beyond the Ring
Ash Avildsen handles Millie Burke’s story with the precision of a wrestling choreographer and the warmth of a storyteller. His directorial creativity elevates what could have been a simple biographical drama to a dramatic examination of ambition, survival, and social transformation. Recognizing Burke’s journey’s intrinsic complexity, Avildsen expertly combines personal, intimate moments with the fast-paced world of wrestling.
The screenplay, adapted from Jeff Leen’s lengthy book, navigates a difficult narrative environment. Avildsen admits the film’s episodic character, stating that an hour was reduced from its intended runtime. This editing results in a narrative that moves with the unpredictability of a wrestling match—sometimes jerky, always captivating.
What emerges is a storytelling strategy that values emotional truth above historical accuracy. Romantic entanglements, professional rivalry, and personal challenges mix, creating a rich tapestry that feels unique to Burke’s time and universal. The subplots do not detract from the main narrative but rather shed light on the intricate ecosystem of early professional wrestling.
The film’s visceral approach to storytelling reflects Avildsen’s experience as the son of Rocky filmmaker John Avildsen. Each moment has the adrenaline of a potential knockout punch, keeping spectators interested even as historical details fade into dramatic interpretation.
As a result, the film feels less like a documentary and more like a live, breathing examination of a great lady who refused to be constrained by her time’s expectations.
Framing Legends: Visual Poetry of Wrestling’s Golden Era
Andrew Strahorn’s cinematography is nothing short of a visual time machine, taking spectators to the gritty, electric world of midcentury wrestling. His lens does more than just depict a period; it also brings each frame to life, with a palette alternating between sepia-tinted nostalgia and brilliant, almost dreamy color schemes.
The visual storytelling is a masterclass in imaginative interpretation. Strahorn masterfully transitions between natural lighting, sharp black-and-white sequences, and Technicolor-inspired visuals, each with a narrative purpose beyond aesthetic enjoyment. Wrestling sequences are filled with visceral energy, as the camera moves with the same unpredictability and intensity as the athletes.
Each frame is precisely crafted, capturing the huge spectacle of wrestling matches and the intimate, vulnerable moments of Millie Burke’s personal development. The cinematography elevates wrestling from a mundane sport to a symbolic battlefield in which personal dreams struggle with societal restraints.
Sofija Mesicek’s costume design matches Strahorn’s visual style, creating a gorgeous visual feast that feels truly antique. Without uttering a single word, the visual language conveys character dynamics, emotional states, and the intricate social systems of the period.
This is more than just filmmaking; it’s visual poetry honoring a trailblazing athlete’s raw, unedited soul and the world she changed.
Muscle, Might, and Momentum: Wrestling Beyond the Ring
“Queen of the Ring”‘s wrestling sequences erupt authentically, leaving audiences breathless. These are raw, visceral accounts of human determination, not just scripted conflicts. Emily Bett Rickards turns every match into a symbolic war against societal restraints, with her physical dedication so strong that fans can nearly feel the impact of each slam and throw.
Director Ash Avildsen, who inherited his father John Avildsen’s tradition of dynamic action (best known for Rocky’s classic fight scenes), creates wrestling matches that are both savage and balletic. Each clip does more than just demonstrate physical capability; it reveals character, stretches narrative limits, and follows Millie Burke’s incredible journey from underappreciated outsider to trailblazing athlete.
The choreography deftly balances athletic realism with dramatic storytelling. Matches are about more than just winning and losing; they’re about breaking down boundaries, defying expectations, and rewriting the rules of a male-dominated sport. Rickards’ performance transforms every wrestling scene into a personal revolution, with each body smash symbolizing a punch against structural limits.
What enhances these episodes is their natural incorporation into the personal drama. Wrestling is not a show; it is a language of survival, ambition, and transformation. Each fight is a chapter in Burke’s greater narrative of perseverance, transforming physical combat into a profound metaphor for her life’s struggle.
Threads of Transformation: Designing Millie Burke’s World
Sofija Mesicek’s costume design does more than only outfit the characters; it also conveys a story. Each stitch and seam reveals much about the era’s social dynamics and Millie Burke’s revolutionary spirit. From the simple waitress outfits to the glittering, form-fitting wrestling costumes, the apparel becomes a visual language of transformation and defiance.
The production design is a meticulously built time machine. Vintage eateries, dusty carnival grounds, and wrestling stadiums exude authenticity. Weathered props and well-managed set pieces create a world that feels real rather than manufactured. The attention to precision extends to wrestling gear that meets athletes’ functional needs while adhering to the aesthetic limits of mid-century performance clothing.
A visual narrative of societal development emerges, not just historical replication. The costumes follow Millie’s path from confined small-town life to national wrestling celebrity, with each dress representing a subtle defiance of societal norms. From humble cotton dresses to flashy performance attire, costume design symbolizes female empowerment and personal reinvention.
This is more than just production design; it’s visual poetry that brings a forgotten period in sporting history to life.
The Review
Queen of the Ring
"Queen of the Ring" goes beyond the traditional sports biopic, presenting a powerful narrative about societal transformation and one amazing woman's journey. Ash Avildsen has created a film that grapples with complicated themes of gender, ambition, and personal perseverance, anchored by Emily Bett Rickards's remarkable performance as Mildred Burke. The film does a fantastic job of rescuing a forgotten pioneer from historical oblivion, portraying Burke as an athlete and a complex woman who challenged every barrier imposed upon her. Visually spectacular, emotionally deep, and energetically delivered, the film gives life to a unique story that deserves to be shared. While some pacing flaws and narrative compressions reduce the overall impact, the film's dedication to authenticity and powerful storytelling is obvious. It honors a trailblazing athlete who elevated wrestling from a marginalized spectacle to a platform for female empowerment.
PROS
- Exceptional lead performance by Emily Bett Rickards
- Visually stunning cinematography
- Authentic period recreation
- Powerful narrative about female empowerment
- Dynamic wrestling sequences
- Nuanced exploration of 1930s-1950s social dynamics
CONS
- Occasional narrative pacing issues
- Some historical details condensed for dramatic effect
- Potential over-romanticization of certain personal relationships
