Yusron Fuadi’s The Draft! is an Indonesian horror-comedy that thrives on self-awareness and gleeful rule-breaking. It starts with a setup every genre fan can quote from memory: five college friends, each mapped to a familiar archetype like the jock, the film nerd, and the tomboy, head to a remote Dutch colonial house with a nasty aura. That familiar slasher and supernatural frame turns out to be a feint.
The group discovers they are stuck inside the first draft of a screenplay, subject to an indecisive writer riddled with creative block. The question shifts from who or what is haunting them to how a story gets built in the first place.
Fuadi signals the real project early, turning the film into a raucous investigation of filmmaking and storytelling that plays inside a sandbox of horror conventions. As someone who keeps stacks of scribbled notes about structure and rhythm in genre movies, I felt the film speaking directly to that itch to peek behind the curtain.
Narrative Instability and Weightless Stakes
The Draft! distinguishes itself by weaponizing instability. The characters’ world rewrites itself in real time under the writer’s impulses, bursts of inspiration, or tossed-out ideas. Dead characters reappear, sometimes portrayed by different performers, and the movie’s genre snaps from slasher to ghost story to a sudden siege by sprinting zombies.
The device is inventive and constantly fertile, yet it reshapes how the film feels. Death can be temporary, which turns the chaos into play and drains tension from any single moment. Surprise keeps arriving, while sustained dread thins out. The characters suffer that awareness too.
They know they are surface sketches, and they keep calling out the shaky story they have to live through. As a viewer, I enjoyed the quicksilver shifts, even as I missed the pressure that comes from consequences that stick.
Genre Critique through Absurd Comedy
Fuadi builds an affectionate critique of horror that reads like a fan’s love letter stuffed with margin notes. The film celebrates invention while needling the clichés that keep getting recycled. Much of the comedy springs from the pipeline between the writer’s creative crisis and the characters’ on-screen reality. Producer notes or a tantrum at the desk become immediate life-or-death chaos for the kids in the house.
Amir, the group’s film buff, takes up the “rules expert” role and voices the sharpest meta beats, calling out subgenres and labeling the exact trope in play. The Draft! shines when it teases quirks tied to low-budget Indonesian horror, which adds a layer for viewers who know that scene.
The running bit of rapid genre-hopping hits a high point with a gag in which a stumbling undead crowd abruptly remembers it can sprint, a moment that turns a line of script markup into physical comedy. As someone who grew up charting slasher cycles and arguing about zombie speeds over late-night soundtracks, I laughed at how precisely the film turns fan chatter into action.
Aesthetics of Chaos: Sound and Vision
For a story built on creative mess, The Draft! finds a consistent look. Mandella Majid’s cinematography shapes an eerie, confined mood in the colonial house and the surrounding woods, leaning on tight framings and a grainy texture that suits the premise.
Fuadi directs with restlessness that matches the script’s ricochet energy. The score mirrors that motion with abrupt pivots, moving from taut horror cues to breezy rhythms like bossa nova and then to lush, melodramatic piano. Sound design follows the narrative whip-turns and helps each switch land. The production’s limited resources show most clearly in the effects.
CGI and green screen shots vary in polish, which can pull the eye away from the story. That roughness can read as part of the “unfinished draft” idea, yet it sometimes blunts the impact of the set pieces. I also caught a small mixing issue: the music occasionally rides over the dialogue, which makes it hard to catch lines from performers who sell this bonkers premise with real charisma.
The Draft! treats horror as both subject and stage, using a script-in-progress to poke at how stories get written, broken, and rebuilt. The approach maps cleanly onto today’s wave of self-referential genre films and then cranks the dial by trapping characters inside the creative process itself.
I kept thinking about my own habit of switching playlists while outlining, because the film’s quick flips in tone feel like a hand slamming skip on a mood cue. That sensation can flatten suspense, but it also turns the movie into a live studio of form, where every cut, cue, and trope becomes a tool in plain sight.
The Draft! is a 2023 Indonesian horror-comedy film. It follows a group of college students who realize they are trapped inside the constantly changing first draft of a screenplay, making them subject to the chaotic whims of a writer with creative block. The film premiered in 2023 at several festivals, including Fantastic Fest, and became available on digital platforms in October 2025. It can be watched on streaming platforms such as Prime Video.
Credits
Director: Yusron Fuadi
Writers: Yusron Fuadi, Anindita Suryarasmi, B.W. Purba Negara, Richard James Halstead
Cast: Adhin Abdul Hakim, Winner Wijaya, Anastasi Herzigova, Putri Anggie, Haydar Salishz, Ernanta Kusuma
Director of Photography (Cinematographer): Mandella Majid
The Review
The Draft!
The Draft! is a highly ambitious, wildly meta horror-comedy that finds real joy in deconstructing its genre. Yusron Fuadi delivers unpredictable, inventive chaos, especially through the self-aware script that mocks its own lack of permanence. While the constantly shifting narrative makes emotional stakes negligible, and budget limitations show in the inconsistent visual effects and audio mix, the film is a clever, high-energy exercise in genre satire. It satisfies viewers who appreciate cinema about cinema, making it a required watch for meta-horror fans.
PROS
- Highly Inventive Narrative Concept (characters trapped in a draft)
- Sharp Genre Satire targeting both general and Indonesian horror tropes
- Effective Dark Comedy (e.g., the sprinting zombie scene)
- Charismatic Performances from the cast, particularly the "rules expert"
- Unique Sound Design reflecting the film's chaos
CONS
- Absence of Stakes (deaths are reversible, lessening suspense)
- Inconsistent Visual Effects (low-budget CGI detracts from atmosphere)
- Flawed Audio Mixing (dialogue is sometimes muffled by the music)
- Overly Chaotic Structure may frustrate viewers seeking narrative coherence
